Context Contact Imprint

Galerie m Paris Photo 9-12 November 2017 Grand Palais Booth A32 Anja Bohnhof Lucinda Devlin Antje Dorn Thomas Florschuetz Claus Goedicke Evelyn Hofer Aino Kannisto Melanie Manchot Simone Nieweg Stephan Schenk Peter Wegner www.parisphoto.com   Simone Nieweg Hüttenveranda, Jüchen, 2000 C-Print on Alu-Dibond, 181 x 141 cm framed Simone Nieweg Geräteschuppen aus Blech, Düsseldorf-Gerresheim, 1986 Blauer Geräteschuppen, Meldorf, Schleswig-Holstein, 1986 Geräteschuppen aus Dachpappe, Neuss-Reuschenberg, 2000 C-Print, 24 x 18 cm, 18 x 24 cm Simone Nieweg Gartenhaus aus weißem Wellblech, Meldorf, 1986 Taubenschlag, Düsseldorf-Gerresheim, 1987 Geräteschuppen, Oberhausen-Eisenheim, 2002 C-Print, 18 x 24 cm Anja Bohnhof Ram Lachha Singh, 2012, 44,5 x 44,5 cm (60 x 60 cm) | Subal Gosh, 2012, 48 x 37 cm (60 x 60 cm) Anja Bohnhof MD Ansari, 2012, 37 x 48 cm (60 x 60 cm) | Laxmann Mullik, 2012, 37 x 48 cm (60 x 60 cm) Claus Goedicke Axt, 2013 Telefon, 2011 Handschuhe, 2013 Eau de Cologne, 2013 Nadel und Faden, 2011 Archival Pigment Prints, each 59,4 x 42 cm (62 x 44 cm) Lucinda Devlin Bath, Pocono Palace, Marshall's Creek, Pennsylvania, 1980 from the series Pleasure Ground Lucinda Devlin Gross Anatomy Lab, University of California, Riverside, California, 1982, from the series Corporal Arenas Römische Bäder, Carolus Thermen, Bad Aachen, 2002, from the series Water Rites Fish Environment, Sea World, Orlando, Florida, 1987, from the series Habitats each Chromogenic print, 48,5 x 48 cm Antje Dorn from the series Pupille, 2007-2009 Archival Pigment Prints, each 65 x 80 cm framed Thomas Florschuetz enclosure (Brasilia) 05, 2008/2010 C-Print, Diasec, 183 x 228 cm Thomas Florschuetz Untitled (Adaptation) 08, 2016/2017 Archival Pigment Print, 76,2 x 63,3 cm Stephan Schenk Bärentritt, 1999, from the series Bergwelten, s/w Barytvergrößerung, Selen getont, 54 x 43 cm (60 x 50 cm) Peter Wegner LE GRAY NOT LE GREY, 2017, ink & synthetic polymer on canvas over MDF panel with sizing, 40,6 x 40,6 cm Melanie Manchot Looking Back 3, 2017, 40 x 40 cm (43,5 x 44 cm) Looking Back 1, 2017, 40 x 34,5 cm (43,5 x 38,5 cm) Looking Back 2, 2017, 40 x 36 cm (43,5 x 40 cm) Archival Pigment Prints Aino Kannisto Untitled (Black Mirror), 2005 C-Print, Diasec, 90 x 110 cm Evelyn Hofer Lee Krasner's Shoes, Pollock Studio, Long Island, 1988, Dye Transfer, 43 x 33 cm (50,5 x 40,5 cm) Queensboro Bridge, New York, 1964, Dye Transfer, 42,5 x 33,6 cm (51,5 x 40,5 cm) Evelyn Hofer Andy Warhol, New York, 1965, Dye Transfer, 41,8 x 33,4 cm (50,5 x 40 cm) Two Chairs, Maison de Verre, Paris, 1982, Dye Transfer, 42,2 x 33,3 cm (50,5 x 40,5 cm) Umbraculo, Barcelona, 1987, Dye Transfer, 34,2 x 43,4 cm (48,5 x 57,5 cm)